サロメ　時代

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https://ja.wikipedia.org/wiki/サロメ_(戯曲)
サロメ (戯曲) - Wikipedia
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あらすじ
日本語訳
オスカー・ワイルド「サロメ」なぜ斬首を、解釈は無限に ...
舞台はユダヤの王宮。兄王を殺してその妃を妻としたヘロデ王が君臨しており、兄 …
好書好日
オスカーワイルド『サロメ』あ …
オスカー・ワイルドの戯曲『サロメ』は、新約聖書の内容を元にした作品である。聖書に伝わる洗礼者ヨハネの首を所望した王女のエピソードが、ワイルドによって官能的かつ悲劇的に描かれ …
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概要

あらすじ

日本語訳

オスカー・ワイルド「サロメ」なぜ斬首を、解釈は無限に ...
オスカーワイルド『サロメ』あらすじ解説｜狂気的な悪女を ...

アルトネ
https://artne.jp/report/838
元ネタからこんなに変化が？「サロメ」表現の変遷を …
WEBOct 29, 2019 · サロメの物語、衣装（裸体）描写の変遷、モローが影響を受けたこと、あるいは独特の手法や観点でサロメを描いていったこと……喜多崎氏が語ったように様々な歴史・背景をもっているのです。本展会場では、ヴァリエーションに富んだサロメ
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ギュスターヴ・モロー展サロメと宿命の女たち - artne
artne.jp
ギュスターヴ・モローの《出現》= サロメについて ...
art-discussion.com
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好書好日
https://book.asahi.com/article/13602612
オスカー・ワイルド「サロメ」なぜ斬首を、解釈は無 …
WEBAug 20, 2020 · 舞台はユダヤの王宮。兄王を殺してその妃を妻としたヘロデ王が君臨しており、兄王と妃の間の娘サロメは半ば囚（とら）われの身だ。サロメは牢に幽閉される預言者ヨカナーン（聖ヨハネ）に心惹（ …
Estimated Reading Time: 2 mins
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サロメはいかにして宿命の女になったのか - Note
note.com
ビアズリーの絵、『サロメ』を解説～生首だけじゃ ...
gemeinwohl.jp
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散文のわだち
https://ks-novel.com/salome
オスカーワイルド『サロメ』あらすじ解説｜狂気的な悪女を ...
WEBSep 19, 2023 · オスカー・ワイルドの戯曲『サロメ』は、新約聖書の内容を元にした作品である。聖書に伝わる洗礼者ヨハネの首を所望した王女のエピソードが、ワイルドに …
People also ask
サロメの目的は何ですか?
しかしその目的は現実らしさになく、オリエント化はするけれどもリアルなものを作っていく方向にむかず、あちこちの模様をまぜて混淆様式によって、サロメの「巫女や神秘的な性格を持った宗教的な魔術師」のような性質を表すことが目的でした。
元ネタからこんなに変化が？「サロメ」表現の変遷をたどる
artne.jp
サロメと出現の違いは何ですか?
1876年という同年に描かれたモローの《サロメ》と《出現》のイメージを並べ、「一方は重厚な衣装を身にまとっていますが、一方はほぼ半裸です。油彩の《出現》ではもっと裸体に近い感じで描かれています。
元ネタからこんなに変化が？「サロメ」表現の変遷をたどる
artne.jp
サロメってどういう意味ですか?
モローが描いた一連のサロメの作品がそうであるように、他の作家の作品でもサロメは裸体に近い恰好で踊る様が描かれたり、また、洗礼者聖ヨハネに恋をしてそれが受け入れられなかったためその首を求めた……というイメージがついています。ですが喜多崎氏によると、そのイメージは19世紀末の作家、オスカー・ワイルドが書いた戯曲『サロメ』によって作られたものが始まりであり、その後それが定着したものなのだそうです。サロメの話を起源とする聖書では、ヨハネの首を求めたのはヘロデ王の再婚相手であるヘロディアとされています。宴で披露したサロメの踊りを喜び、サロメに褒美をもたらすと約束したヘロデ王。
元ネタからこんなに変化が？「サロメ」表現の変遷をたどる
artne.jp
ヘロデとサロメの違いは何ですか?
サロメは幼い頃に生き別れた母親を探してエルサレムまで来たが母は見つからなかった。その代わりに預言者ジャン（洗礼者ヨハネ）に出会いその崇高な姿に打たれ彼を愛している。ヘロデは踊り子サロメを熱愛している。
毒母《エロディアード》に支配された娘《サロメ》が愛に
ontomo-mag.com
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Note
https://note.com/dalidalidali/n/n869ea322bcc0
サロメ：その魅惑的なイメージはいかに生まれたか？｜どいちゃん
WEBMar 17, 2021 · 西洋画において、中世から描かれてきた題材に”サロメ”があり、彼女の描かれ方は時代ごとに変化し、そのイメージが変わってきました。今回は「概念が遷移 …
shogakukan.co.jp
https://advanced-time.shogakukan.co.jp/19331
なぜ、オスカー・ワイルドは“アライ”（社会的弱者の援助者 ...
WEBOct 23, 2023 · 『サロメ』オスカー・ワイルド著、平野啓一郎翻訳. イギリス人にとってのワイルド像は？ LGBTQとしての苦悩からカトリックに改宗. 物語を突き詰めていった …
book-academia.com
https://book-academia.com/.../eu/ireland/oscar-wilde/salome
サロメ：あらすじ・英語版の感想・考察オスカー・ワイルド ...
WEBJan 4, 2024 · 『サロメ』とは？『サロメ』はアイルランドの小説家・劇作家のオスカー・ワイルドさんによる、新約聖書を元にした戯曲です。 初演は1896年で初版は1893 …
Webマガジン「ONTOMO」
https://ontomo-mag.com/article/column/herodi…
毒母《エロディアード》に支配された娘《サロメ》が …
WEBApr 7, 2019 · サロメの物語は、中世、近代に様々な形で伝えられ、やがて19世紀のフランスで「サロメの踊り」という題材として美術、文学の世界で花開きます。『ボヴァリー夫人』『感情教育』などで知られ、フランス文学随一の文体家といわれるフローベールの短編小説「ヘロディアス …
新国立劇場
https://www.nntt.jac.go.jp/play/salome/translat…
翻訳者・演出家から｜サロメ｜新国立劇場
WEB「サロメ」はキリストが登場してくる古代と、ワイルドの生きた十九世紀という二つの時代性を持った作品ですが、そこを踏まえながら現代の感覚も持たせていくというところに骨を折りました。宮本. 僕は今までファム・ファタール的な、魔性の女のサロメ像に疑問を感じていたんです。 …
実践女子大学学術機関リポジトリ
https://jissen.repo.nii.ac.jp/?action=repository_action...
[PDF]
サロメの世紀末 - 国立情報学研究所 / National Institute of ...
WEBサロメの世紀末. 富士川義之. 近代イギリス文学史上、オスカー・ワイルドほど広い範囲の活躍をして、そのいずれにも成功した例は珍しい。彼は文学ジャンルにおいて、詩、 …
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9db20d91-2821-6df5-b1f5-9b8d01c6f803
3.7
Goodreads
Original titleSalome
Originally publishedJanuary 1, 1891
Author Oscar Wilde
GenrePlays · Classics · Drama · Fiction · Theatre · Literature · 19th Century · Historical Fiction · Irish Literature · Victorian
Characters Salome · Herod Antipas · Herodias · John the Baptist · The Young Syrian · Tigellinus · A Cappadocian · A Nubian
Reviews
Salome is the daughter of Herodiade, Herod's new wife, Galileo's tetrarch. She's beautiful; she dances well, and s…
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Salome is the daughter of Herodiade, Herod's new wife, Galileo's tetrarch. She's beautiful; she dances well, and she charms. In a shaft well kept, she hears the voice of Iokanaan, imprisoned because he says very disgusting things. Some say he's the messiah. Salome wants to see him. And despite the soldiers' reluctance, despite the threats of Iokanaan himself, despite the horrors that he prophesies and which everyone says concern Herodiade, the mother of Salome, she wants to see him, talk to him, kiss him. He refuses. Herod and Herodiade then arrive. Herod devours his daughter-in-law with his eyes, which his wife has blamed him since. He then begs her to dance for him at any price. The biblical episode is exceptionally well known. But Oscar Wilde concealed the identity of the prophet St. John the Baptist by giving him his Hebrew name. Therefore, The Catholic tradition is carefully distant, and the character appears almost ridiculous, disturbing, enlightened, and out of the world. But what surprised me most was the character of Salome, which surprisingly worked. We know Herod's lubricity; we see the cruelty of Herodiade, who wished for the prophet's death. It is even assumed that it is to go in the direction of his mother, and Salome will ask for his head. Now, she becomes manipulative. She tries to seduce the prophet, to subjugate him by charm as by insults, and it is because he refuses her kiss that condemns him. Finally, on her own, she decides to ask for the head of Jean-Baptiste in a relentless scene where Herod repeatedly lays all the world's riches at Salome's feet. Begging her to ask for something else, she replies, laconic and nagging: "I want the head of Iokanaan." Where she could still be the unwitting object of so much passion, Oscar …
Goodreads
(Reread, with a friend)A one-act play not nearly as famous as Wilde’s other plays, it is nevertheless fascinating. From …
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(Reread, with a friend)A one-act play not nearly as famous as Wilde’s other plays, it is nevertheless fascinating. From what I gather, during the time Wilde wrote this, there was a Salomé craze going on. Wilde put his own interpretation on the story, as well as being influenced by a painter; a poet; Flaubert; and a novel (not Flaubert's) he adored. Though not written in his ‘typical’ style, his wit can be discerned; and though his use of repetition may at first sound childish, he makes effective use of it. In contradiction of the Biblical account, a lustful, vengeful Salomé is front–and-center. Herodias is ineffectual: she stands on the sidelines issuing commands that neither her daughter nor her husband pay attention to. Salomé is given power through her intellect, by means of a trick; yet she's also portrayed as unreasonable, irrationally wanting what she wants no matter what. Forbidden or unseen stares are a constant motif, even with the minor characters; yet the one eroticized male is the one who does not look at anyone.
Goodreads
Whoo boy, that Salomé chick was a little unstable, wasn't she? I mean, executing the man you “love” (having met h…
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Whoo boy, that Salomé chick was a little unstable, wasn't she? I mean, executing the man you “love” (having met him all of ten minutes prior) because he rejects you is one thing, but passionately kissing his decapitated head is taking things just a bit too far. And let's not even get started on lecherous ol' step-daddy Herod. Ew. At least his creepiness backfired on him, I suppose.Oh, and for those of you who are fellow heathens, Jokanaan is John the Baptist. Thank you very much to Wikipedia for sorting that out for me – I should really donate to that fundraiser they have going on right now because their plot summaries have probably saved me a hundred times.Salomé is the first of Oscar Wilde's tragedies that I've read (or listened to), and I have to say that I'm impressed. It obviously lacks the humor of some of his more famous comedic plays, but I still enjoyed it tremendously. And, as always, the L.A. Theatre Works audiobook recording was perfection. I've loved every one of their productions that have involved James Marsters (who plays Jokanaan), and this one is no exception.If you like reading about unstable women who can't handle rejection, definitely give this one a go. Or if you like bible stories, I guess. Or icky old men. Or Oscar Wilde. Take your pick as far as the reason goes, but definitely read it when you get the chance. It's a Wild(e) ride.
Goodreads
Salomé is not only a revolutionary woman, she is territory. Perhaps she a nexus. She is certainly not a character.
theguardian.com
No longer Oscar Wilde’s siren, Salomé becomes a revolutionary force: the slaying of John the Baptist is a call to arms for embattled Christians.
sites.nd.edu
Salomé especially reminded me of Christina Rossetti’s sonnet series Monna Innominata. These sonnets also reverse gender roles and give the beloved more agency while working within the tradition.
Finally, Jokanaan asks who is the woman looking at him with golden eyes.
novelguide.com
Salomé is most afraid of his dragon eyes. The Young Syrian keeps begging Salomé to come away, but she is fascinated by the spectacle of the prophet's looks and voice.
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Data: goodreads.com · Wikipedia · sites.nd.edu · theguardian.com · novelguide.com
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